Sally Potter's THE ROADS NOT TAKEN follows a day in the life of Leo (Javier Bardem) and his daughter User Reviews. Stroke Me to the Core and Gave Peace to some Unhealed Thoughts. Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist.
There are no approved quotes yet for this movie. The Roads Not Taken Cast & Crew Directed by: Sally Potter Produced by: Christopher Sheppard Written by: Sally Potter Starring: Javier Bardem Elle Fanning. The Roads Not Taken is clearly a personal film for the director but it's also an incredibly frustrating film because when enclosing the thematic in certain narrative niche, it will only manage to connect with people who evidently have seen.
Read Common Sense Media's The Roads Not Taken review, age rating, and parents guide. How does the movie portray dementia? Do you suppose Leo's flashbacks of Mexico and Greece really happened, or is his brain wondering about alternate lives? With that said, that's as engaging as The Roads Not Taken, as despite the unconvincing casting Elle Fanning delivers a serviceable performance. Molly (Elle Fanning) is sick of the way that people tend to dehumanize her dad (Javier Bardem), as soon as they realize that he suffers from. Though "The Roads Not Taken" is not a perfect film, Potter's empathy toward her male hero gives him a humanity that few other films have bothered to show, even though most of his dialogue is internal.
Trailer The Roads Not Taken
But Fanning and Bardem deliver two utterly devastating performances that show the power of despair met. The Roads Not Taken is emotionally raw and a very personal film. Empathy goes a long way with Sally Potter's film and scenarios that I can relate too.
The Roads Not Taken is a British-American drama film written and directed by Sally Potter. It stars Javier Bardem, Elle Fanning, Salma Hayek and Laura Linney. Read writing about Movie Review in The Roads Not Taken. In its best moments, this offbeat road movie has a sly, dry humor and an ability to shift between different registers, allowing the predominant comedy to end on a melancholy but satisfying note of self-sacrifice.